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Urban thinking is often shaped by artistic touches. A simple painting can change minds, more than lectures or politicians’ speeches. A city with more artistic room can transform residents into civilized minds rather than modernization enthusiasts. For street artists thriving to bring such taste, Addis Ababa is rather a construction site than an inspirational neighborhood. Street art, an under formation concept in the capital, has to compete for space, amidst growing use for walls, buildings, structures, and outdoor spaces by commercial ads. Samuel Habtab, traveled around with groups of street artists rebranding the capital.


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Foreigners residing in Addis Ababa usually have no choice but to fit into the status quo. Irrespective of their social makeup and which continent they are from, they blend fast and move on with the existing spectra. This is mainly due to an absence of room to socialize. Especially Africans have less options since more venues emulate western cities than African values. Finding their original staple food and drink, authentic gestures, art, and language in Addis means ending homesickness. House of Fulani, is the pan-African make-believe unveiled in the heart of Addis Ababa, to serve the growing African community in the capital. Kiya Ali, paid a visit.



Major global threats—including the COVID-19 pandemic, climate change, and rising inequality—call for large-scale concerted action. The challenge facing policymakers today is to support big structural transformations that can make economies simultaneously more productive, more inclusive, and less carbon-intensive. Public development banks (PDBs)—at the local, national, subregional, regional, or interregional level—are key to helping governments finance a rapid recovery from the COVID-19 crisis, and to ensure that economies serve people and the planet far better in the long run.




Ethiopian Business Review | EBR is a first-class and high-quality monthly business magazine offering enlightenment to readers and a platform for partners.



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