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Abrehot’s Impact on Addis Ababa’s Intellectual and Professional Landscape

Drawing people from all walks of life, Abrehot Library has become a sanctuary of learning and connection in Addis Ababa. From eager students seeking quiet study spaces to ambitious business owners looking for a hub of innovation, this Library has transformed into a cherished haven. Its state-of-the-art facilities, rich collection of resources, and inviting atmosphere have created a magnetic pull, making it the go-to destination for the capital’s curious minds and entrepreneurs alike. EBR’s Mintesinot Nigussie walks through the wonders of Abrehot Library, uncovering how it has become more than just a library but a beacon of opportunity in Addis Ababa.



Born in the rural town of Mezezo, 190km from Addis Ababa in North Shewa, Dawit Tsige moved to Addis Ababa when he was three. Living with his uncle in the Yeka Sub-City, he began his educational journey at Bitweded W/Gebriel School. He later attended Dej Wondirad Preparatory School and Salaysh Primary School, where he discovered his passion for singing in the eighth grade. Despite his uncle’s encouragement to pursue a more traditional career as an engineer or pilot, Dawit immersed himself in the vibrant 90s music scene, honing his craft and writing lyrics.

As a young adult, Dawit balanced work in woodworking and construction with his musical ambitions. His big break came when he joined the Ethiopian Air Force Music Club, where he ranked second in a competitive audition. This experience provided a solid foundation for his music career. He later participated in a music program organized by the Culture and Tourism Office, performing at traditional night events and eventually returning to the Air Force to showcase his talent across various cities.


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The Impact of Music Idol Shows on Ethiopian Talent

The Ethiopian music industry has been experiencing a vibrant transformation recently, with the rise of talent shows on various TV channels, which, in turn, is reshaping how new artists are discovered. Once primarily defined by the Ethiopian Idol Show and Balageru Idol, the landscape has expanded, providing more opportunities for aspiring musicians. However, with the rise of television stations, this growth raises concerns: the initial focus on nurturing enduring talent seems to have shifted toward quick fame. As numerous shows populate the airwaves, it begs whether these platforms continue cultivating genuine stars or merely creating ephemeral moments in Ethiopia’s rich musical tapestry. EBR’s Mintesinot Nigussie investigates these trends and their implications for the future of Ethiopian music idols.


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The Story of Michael Belayneh

Michael Belayneh, a celebrated Ethiopian singer born in Addis Ababa, has captivated audiences with his soulful melodies and positive lyrics. His musical journey began at Yared Music School, where he honed his talents before joining Medina Band and launching a successful solo career with his debut album, Ante Godana, in 2005. Known for blending traditional and contemporary styles, Michael’s work reflects a deep emotional connection with his audience. His later albums, including Nafkot Ena Fikir, have garnered critical acclaim, showcasing his ability to evoke nostalgia and love through music. As he embraces the evolving landscape of the music industry, Michael remains committed to creating art that resonates deeply, inspiring a new generation of listeners while celebrating the rich cultural heritage of Ethiopia.

EBR’s Mesfin Feleke sat for an exclusive interview with the singer, delving into his artistic journey and insights, as the signer’s latest album, “And Qal”, [One Word], rocks the music industry by storm.


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On July 3rd, 2024, the news of Nebiy Mekonnen’s passing received a massive shock in the eyes of the public. Nebiy was a renowned figure in Ethiopian literature and journalism. His works, described as timeless and extraordinary by his colleagues, are considered masterpieces, and the general public loves them so much. In addition to his successful professional career, those close to him testified to his charming demeanour and easygoing attitude. Following his passing, his colleagues, friends, and admirers of his work took to social media to pay tribute. Media outlets aired programs that celebrated his work. In this article, EBR’s Dr. Brook Genene pays homage to one of Ethiopia’s significant public figures.


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Ethiopia’s Film Industry Explores New Frontiers

Ethiopia’s film industry is at a crossroads. While rich in cultural potential, it grapples with funding, infrastructure, and audience preferences. Recent ventures into genres like horror and thriller signal a promising shift, but the dominance of romance-comedies persists. The industry seeks to balance commercial success with artistic expression, navigating challenges like production costs and audience expectations.

The emergence of several streaming platforms offers new opportunities, but government support remains crucial. As Ethiopia’s film scene evolves, finding the right mix of cultural heritage, market demands, and innovative storytelling will be critical to its success.
Indeed, Ethiopia’s film industry is undergoing a transformative shift, with a burgeoning appetite for genres beyond the traditional romance comedies. While this evolution presents exciting opportunities for storytelling and audience engagement, it also introduces new challenges and risks. EBR’s Mintesnot Nigussie delves into the potential impact of these dynamic genres on the industry and its cultural landscape, exploring the opportunities for growth and the hurdles to overcome to realise this cinematic renaissance fully.


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Afewerk Mengesha Captures Ethiopia’s Essence through Art

Afewerk Mengesha is a renowned Ethiopian artist who has significantly contributed to the country’s art scene. Born in 1943 in Addis Ababa, Afewerk was one of the first Addis Ababa Fine Arts School graduates in 1963. Despite facing challenges due to his hearing impairment, he pursued his passion for art and has since become known for his works exploring Ethiopian history, culture, and modern life themes. Afework’s artistic journey has been marked by perseverance, as he overcame obstacles to establish himself as a professional artist, working in various roles before focusing on his studio practice after retirement. His paintings, often executed in oil on canvas, have been exhibited at prestigious venues in Ethiopia, showcasing his ability to capture the essence of his homeland through his distinctive artistic vision, writes EBR’s Eden Teshome.


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Mulatu Astatke, the “Father of Ethio-Jazz,” is an iconic musician and cultural ambassador whose innovative blend of Ethiopian musical heritage and jazz improvisation has captivated audiences worldwide. While there’s no exact starting date, Mulatu Astatke’s musical interests emerged in the early 1950s and blossomed into active playing in the 1960s. This long career span has allowed Mulatu to leave an indelible mark on the global music scene. His compositions and performances showcase the beauty and complexity of Ethiopian music, fusing traditional scales, rhythms, and instruments with the harmonic structures and improvisational spirit of jazz. Through collaborations with renowned artists and his pioneering album “Mulatu of Ethiopia,” he has brought Ethio-Jazz to the forefront, shaping the cultural narrative and preserving Ethiopia’s artistic legacy. Mulatu’s legacy is one of inspiration, cultural preservation, and global recognition, leaving an enduring impact on the fusion of cultures, creativity, and cross-cultural understanding. In an exclusive interview with EBR’s Eden Teshome, Mulatu, the “Father of Ethio-Jazz,” shares his remarkable musical journey and vision.


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Exploring Ethiopia’s Unique Ramadan Style

The holy month of Ramadan transcends religious practice, shaping spiritual observances and fashion trends. During this sacred period, the demand for modest clothing surges, reflecting religious requirements and global fashion influences. This dynamic interplay is transforming Ethiopia’s Ramadan fashion landscape, with a growing presence of imported garments and locally tailored designs catering to this evolving demand.

EBR’s Nejat Ahmed delves into the intricate connections between faith, style, and the fashion choices of Ethiopian Muslims during Ramadan.


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Why are Women Missing from Orchestras?

Despite the undeniable progress towards gender parity in the broader world, the concert stage remains an echo chamber of a bygone era. Orchestras and bands that grace the pinnacle of musical achievement continue to be overwhelmingly dominated by men, a persistent disparity that transcends geographic borders and exposes a deeper cultural reality. In exploring this enduring imbalance, EBR’s adjunct writer Meseret Mamo delves into the intricate web of factors that impede women’s representation as instrumentalists, fostering a critical discourse that seeks to illuminate a path towards a more equitable future for music performance. She explains why fewer women are involved in orchestral performance than men, even after increased enrollment in music programmes globally and why a similar trend in Ethiopia exists with less women pursuing musical careers despite graduating from music schools.




Ethiopian Business Review | EBR is a first-class and high-quality monthly business magazine offering enlightenment to readers and a platform for partners.



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